Photo of Dag Juhlin from the The EXPO '76 website. Taken by by Terri D.
Expo ’76 paid its first visit to Mac’s On Slade in Palatine
this past Friday night and from all appearances, they would be welcome to come
back anytime they wanted. It’s unusual these days for a live act to get just
about everyone in a bar dancing, but that’s what this collection of veteran
musicians achieved. And Mac’s on Slade was packed that night. They kicked off
the party atmosphere at 8:30 PM and kept it going until they had literally left
the building about half past midnight.
The core members are vocalist-guitarist Dag Juhlin, whose
resume includes The Slugs and Poi Dog Pondering; keyboards player-vocalist Kenn
Goodman, who owns Pravda Records; bassist vocalist Ralph Baumel; and drummer John
Carpender. At various times, the Total Pro Horns joined them. Over the past few
years, the band has built a strong following through clever on-line marketing
and the promise of a limitless set list.
At Mac’s On Slade, EXPO ’76 opened with a few obscure New
Orleans style tunes before moving on to more familiar fare like The Lovin’
Spoonful’s “You Didn’t Have To Be So Nice” and The Monkees’ “Daydream
Believer.” Dressed in vintage clothes and hats, these guys exuded a casual sort
of cool. Fun takes on Nick Lowe’s “Cruel To Kind,” Ace’s “How Long,” and “Ooh
Child” by The Five Stairsteps seemed to flow naturally from them.
EXPO ’76 kicked off the second set with a peppy and faithful
version of Al Hirt’s “Java.” Elsewhere, the musicians put their own stamp on
famous songs; proclaiming at one point that they aren’t a covers band, but a
band that uses other people’s material to express themselves. Kind of like Laurence
Olivier doing Shakespeare; and they seemed to be only half joking about that
analogy. Electric Light Orchestra’s “Can’t Get It Out Of My Head” was given a
slower, brooding arrangement, while Gary Wright’s “My Love Is Alive” was
transformed into a smoking Motown workout.
There was also an impromptu a cappella sing-along of Helen
Reddy’s “I Am Woman,” and the band’s take on Bobby Day’s “Rockin’ Robin”
featured a quick riff from Jethro Tull’s “Aqualung.” Closing with Roger
Miller’s “King Of The Road,” EXPO ’76 passed through the crowd while still singing,
and strolled right out the front door. Cool right to the very end.
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