CD Review: The Bad Examples - Smash Record

Note: This review originally appeared in the Illinois Entertainer. The Bad Examples will be performing at Fitzgerald’s on April 29th.

Smash Record is the first CD of original material from The Bad Examples since Kisses 50 Cents was released in 1995. Still, some of these songs will be familiar to anyone who has seen the reunited band in a live performance over the past few years. Singer-guitarist Ralph Covert might make bigger bucks spinning the whimsical tales of Ralph’s World, but he surely must relish the opportunities The Bad Examples give him to be, well a bad example.

The catchy “Your Ex-Girlfriend” depicts a genuine S.O.B. who taunts his lover’s former beau, all the while protesting, “There’s no reason to get mad at me.” “Your Problem Now” offers the flip side of that situation, while the more somber “You Don’t Understand Me” chronicles a couple splitting apart. Covert, who has lost none of his songwriting edge, evokes Squeeze with the clever lyrics and irresistible melodies of songs like “Pictures Of A Masquerade” and “Jayne Left Behind.” The Bad Examples provide more punch on “Big E Chord” and “Devil Is In The Details,” while “Gets All Messy” closes out this welcome reunion on a lighter, humorous note.

Refreshing Pop In Palatine

Photo by Pam.

I feel totally vindicated. For the past few weeks, I’ve been riding around my home town of Palatine on a horse, telling everyone to come to The Smithereens and The Bad Examples concerts at the Downtown Palatine Street Fest. Well, I didn’t ride a horse so much as write a preview for the TribLocal and talk to a few of my neighbors. For power pop fans in Palatine, this was the most exciting event here since the Underground Garage Tour (minus Little Steven, unfortunately) came to Durty Nellies, with The Zombies as headliners. As I predicted, The Smithereens played a few songs by The Who and The Beatles along with their own high-powered hits, and The Bad Examples evoked Squeeze with their clever word play and infectious melodies.

The Smithereens took their usual workmanlike approach, quietly walking on stage a little after 10PM Saturday night, with no introduction or fanfare. They ran through a selection of originals before lead vocalist-guitarist Pat DiNizio mentioned The Smithereens had recorded their own version of The Who’s Tommy. This led to a lively rendition of “House We Used To Live In” that segued perfectly into powerful versions of “Sparks” and “The Acid Queen” from The Who’s rock opera. They only played one song from their pair of Beatles tribute CDs this time out, choosing “Ask Me Why,” from B-Sides The Beatles.

The temporary stage was set up in a parking lot, and as the band played songs like “Top Of The Pops,” “Behind The Wall Of Sleep,” “Especially For You,” “Spellbound” and “She’s Got A Way,” I was able to wind my way through the crowd until I was close enough to feel the Severo Jornacion’s bass and Dennis Diken’s drums kicking against my chest like a giant foot.

Jornacion, nicknamed The Thrilla From Manilla, had fun interacting with the audience before unleashing the opening bass line of “Blood And Roses.” The Smithereens jammed extensively on this major hit, with Jornacion and lead guitarist Jim Babjak stepping out onto the speakers in front of the stage. Toward the end of the concert, a young kid ambled on stage, plugged in his guitar and started to play. After the song, DiNizio introduced the 14 year-old Zach, and explained that the boy's parents told him he had been raised listening to The Smithereens, and his ultimate dream was to play onstage with them. Zach kept his cool as members of his family watched elated, and he joined the band for an encore of “Girl Like You” that segued into Youngbloods’ “Get Together” and The Who’s “Behind Blue Eyes.”

Afterward, band members came out to sign autographs and give away Smithereens 30th Anniversary guitar picks. Three decades is a long time for a group to stay together, but The Smithereens have managed that feat by creating great songs and connecting with their fans.

* * * *

The Bad Examples’ performance at 4PM on Sunday came 25 hours after lead vocalist-guitarist Ralph Covert had Palatine parents and kids dancing and singing along with the silly but engaging tunes from his highly successful Ralph’s World CDs. For my full review of the Ralph’s World concert from last year’s Downtown Palatine Street Fest, see Pure Pop For Knee High People under Archive, August, 2009.

Downtown Palatine Street Fest also presented acts on the smaller gazebo stage, including Covert’s daughter, Fiona Grey and her guitarist/co-writer Matt Pingel. Although only in her mid-teens, Grey is already a polished performer with a good voice in the vein of Feist or Ingrid Michaelson. The duo’s mix of covers and originals lean more toward indie rock than the old man’s power pop or kids’ fare.

Covert’s work with The Bad Examples is notably harder-edged and more adult-oriented than what he does for Ralph’s World, but throughout both concerts, he exuded the enthusiasm of a kid having a blast on the playground. Backed by guitarist Tom O’Brien, the only musician other than Covert who’s in both lineups; drummer Larry Beers; bassist Tom “Pickles” Piekarski; and guitarist Steve Gerlach, Covert belted out familiar tunes like “Me And My Near-Blind Hindsight,” “A Mindless Pop Song,” “Let Her Go,” and “One Perfect Moment.” “Any Twisted Thing” had more of a funk rock feel, and as usual, “Not Dead Yet,” the rollicking hit that still garners regular airplay on WXRT, had just about everybody in the crowd joining in.

New songs, like the catchy “Pictures of a Masquerade” and taunting “I’m Still Living With Your Ex-Girlfriend,” as well as “You Don’t Understand Me,” a slower tune about a relationship coming apart, bode well for the new CD The Bad Examples plan to release this Fall. Another new song, which I’m guessing was called “Kill Amanda,” had the feel of classic Squeeze material. The Bad Examples closed their impressive set with the energetic “Let Her Go,” from the CD, Popscape - The Best of Ralph Covert And The Bad Examples.

It was a kick having The Smithereens and The Bad Examples playing outdoor shows in Palatine over the same weekend, and fortunately, the weather cooperated perfectly.

Yes Virginia, There Is A Santa Bash

(photo from David Bash Facebook page)

Since September 2nd is David Bash’s birthday, now would be the perfect time to pay tribute to him. As the founder of International Pop Overthrow, David brings the gift of power pop music to boys and girls around the globe. He doesn’t do it all in one night, and wears a cowboy hat instead of a red cap, but for many of us, he works magic.

Named after a song by the Chicago band, Material Issue, International Pop Overthrow made its debut in L.A. back in 1998. The festival has since become a world-wide affair, making stops in numerous cities, including Liverpool, Vancouver, Boston, and San Francisco.

Chicago power pop fans eagerly anticipate David’s annual arrival around the middle of April, with visions of settling into a club like the Abbey Pub where they can catch an eight-band showcase for a mere $10. IPO Chicago usually offers a mix of local bands like The Valley Downs, The Bad Examples, and The Handcuffs; visitors from neighboring cities, like Milwaukee’s The Lackloves; as well as an overseas act like Anison, who are based in England.

A tireless supporter of the power pop genre, Bash enthusiastically introduces all the acts with a brief bio and explanation of why he chose them for the fest. Musicians interested in being part of International Pop Overthrow can contact David via SonicBids. See http://www.internationalpopoverthrow.com for details.

So let’s raise a glass and wish David a Happy Birthday!

Ralph’s World - Pure Pop For Knee High People

Photo from www.RalphCovert.com

I’m not really sure what kind of kids music was available when I was a tyke. I only remember my Mom singing Betty Johnson’s 1958 hit “Little Blue Man” to me. The song was about a woman being stalked by the title character, who keeps proclaiming, “I wuv you!” Eventually the woman throws him off the top of a tall building.

These days, singer-guitarist Ralph Covert takes a more positive approach to singing to kids on his Ralph’s World CDs. I’ve enjoyed Covert as the lead vocalist of the power pop band The Bad Examples, but the only thing I knew about Ralph’s World was that we sold a lot of the CDs when I worked in the music department at Borders. So when Ralph’s World came to the Downtown Palatine Street Fest last Sunday, I walked over to check it out.

Similar to the stuff he writes for The Bad Examples, Covert’s Ralph’s World songs have catchy, guitar driven arrangements. But instead of singing about romantic relationships or surviving the rock ‘n’ roll lifestyle, he’s dealing with dancing animals and chocolate cake mountains. Working with a full band, he offers plenty of “Freddy Bear The Teddy Bear” and “Four Little Duckies” silliness, but several of his tunes are genuinely clever.

“Dinosaur Rumble” comes up with some funny consequences of playing with a prehistoric beast, like when he demolishes the swing set. “Surfin In My Imagination,” a fun Beach Boys style song, encourages kids to be creative, while “Happy Not My Birthday” suggests that you don’t always have to be the center of attention to have a good time. “The Coffee Song” pokes fun at Mom and Dad’s need for a daily dose of caffeine.

Part of the success of Ralph’s World must be that parents trust Covert not to create songs that will drive them crazy. The adults in the audience at Downtown Palatine Fest were having a great time singing, dancing, and jumping up and down with their kids. Covert gave them all quite a workout with shouted suggestions like “Let’s hop like frogs!” or “Let’s flap our wings like bats!” After an hour long set of breezy songs like “Happy Lemons” and “At The Bottom Of The Sea,” Covert invited kids and their parents to join him onstage for a rollicking finale that included a snippet of Grand Funk Railroad’s “We’re An American Band” and a parody of The Rolling Stones’ “Satisfaction” called “Nap Time Action.”