Pete Townshend obviously has a vivid imagination, but when The Who released his rock opera Tommy as a double album in 1969, even he couldn’t have anticipated how fabulously it’s being staged at the Goodman Theatre in downtown Chicago. Likewise for when Townshend first collaborated with director Des McAnuff for a stage version of Tommy in 1993. The brand new interpretation Townshend and McAnuff have crafted 30 years later blends live music, theatrical lighting, and graphics for an amazing journey. The opening scene could easily be mistaken as a film until various characters start roaming about the stage.
Not that the performers—most with extensive credentials—are ever overshadowed by special effects. Led by Ali Louis Bourzgui as Tommy; Adam Jacobs as Captain Walker; Alison Luff as Mrs. Walker; Christina Sajous as the Acid Queen; and Bobby Conte as Cousin Kevin, the ensemble brings the title character’s traumatic childhood and eventual redemption to life through first-rate renditions of The Who’s iconic rock songs. Broadway veteran Lorin Latarro’s imaginative choreography consistently embellishes the narrative. The stunning presentation of “Pinball Wizard” just prior to intermission provides a quick peek at the production’s top notch live band.
This staging of Tommy has been given a more upbeat conclusion and social awareness. You won’t find Uncle Ernie, who molested Tommy as a child, guiding anyone to the pinball machines. With a stern look from the adult Tommy, he’s banished from the family. And it sounded like the lines “We forsake you/Gonna rape you” in the angry mob song “We’re Not Gonna Take It” were changed to “We forsake you/Gonna break you.” The most positive message of all, and one that had the audience on its feet and clapping, was the entire cast singing the “See Me, Feel Me” / “Listening To You” (Reprise) / Finale. Tommy runs through August 6 at The Goodman Theatre.
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