Ralph’s World - Pure Pop For Knee High People

Photo from www.RalphCovert.com

I’m not really sure what kind of kids music was available when I was a tyke. I only remember my Mom singing Betty Johnson’s 1958 hit “Little Blue Man” to me. The song was about a woman being stalked by the title character, who keeps proclaiming, “I wuv you!” Eventually the woman throws him off the top of a tall building.

These days, singer-guitarist Ralph Covert takes a more positive approach to singing to kids on his Ralph’s World CDs. I’ve enjoyed Covert as the lead vocalist of the power pop band The Bad Examples, but the only thing I knew about Ralph’s World was that we sold a lot of the CDs when I worked in the music department at Borders. So when Ralph’s World came to the Downtown Palatine Street Fest last Sunday, I walked over to check it out.

Similar to the stuff he writes for The Bad Examples, Covert’s Ralph’s World songs have catchy, guitar driven arrangements. But instead of singing about romantic relationships or surviving the rock ‘n’ roll lifestyle, he’s dealing with dancing animals and chocolate cake mountains. Working with a full band, he offers plenty of “Freddy Bear The Teddy Bear” and “Four Little Duckies” silliness, but several of his tunes are genuinely clever.

“Dinosaur Rumble” comes up with some funny consequences of playing with a prehistoric beast, like when he demolishes the swing set. “Surfin In My Imagination,” a fun Beach Boys style song, encourages kids to be creative, while “Happy Not My Birthday” suggests that you don’t always have to be the center of attention to have a good time. “The Coffee Song” pokes fun at Mom and Dad’s need for a daily dose of caffeine.

Part of the success of Ralph’s World must be that parents trust Covert not to create songs that will drive them crazy. The adults in the audience at Downtown Palatine Fest were having a great time singing, dancing, and jumping up and down with their kids. Covert gave them all quite a workout with shouted suggestions like “Let’s hop like frogs!” or “Let’s flap our wings like bats!” After an hour long set of breezy songs like “Happy Lemons” and “At The Bottom Of The Sea,” Covert invited kids and their parents to join him onstage for a rollicking finale that included a snippet of Grand Funk Railroad’s “We’re An American Band” and a parody of The Rolling Stones’ “Satisfaction” called “Nap Time Action.”

CD Review: The Handcuffs - Electroluv

Brad Elvis Steakley, former drummer with The Elvis Brothers, first hooked up with vocalist-guitarist Chloe F. Orwell in the band Big Hello, and they continue to make top notch power pop as The Handcuffs. Electroluv, their second effort, also features guitarist Ellis Clark from the band Epicycle, as well as a few guest appearances from Brad’s former Elvis Brother, Graham on bass. Emily Togni plays bass on most of the other tracks.

The title track, a tribute to a vacuum cleaner, shows Steakley’s knack for writing songs that combine fun lyrics and strong melodies. The catchy “Baby Boombox” celebrates audio cassettes, 8 tracks, and turntables, while the very short “Russian or Polish Girl” is a micro-sized Gilbert & Sullivan opera. The only lyrics to “Gotta Problem With Me?” are “You gotta problem with me, I gotta problem with you” but Orwell’s feisty attitude and the energetic arrangement somehow make it work.

Not that everything on Electroluv aims for the funny bone. The mid-tempo “Wonderful Life” takes a bittersweet look at living alone, and “Turn It Up,” the only song written by Orwell, is more of a lush ballad. The various keyboards used on “Fake Friends” evoke a James Bond movie theme as Orwell sings, “Creatures like you make my skin crawl.” “Somebody Somewhere” may be the CD’s best track, an energetic blast of power pop at its best.

Smithereens Live: Master Craftsmen At Work

(Photo from The Smithereens Facebook Page)

Although they’re based in New Jersey, The Smithereens must be aware of Chicago’s unabashed love of power pop because their performance at the recent Lake View Fest was at least their fourth here in the past couple of years. They’ve been masters of the genre ever since their Beauty and Sadness EP received a rave review in Rolling Stone back in 1983. Generally, people think of Especially For You, which was released three years later, as the band’s first record since it brought them national attention via its irresistibly catchy songs.

The Smithereens opened their show at Lake View Fest (which was literally next door to Wrigley Field) with a rollicking version of “Behind The Wall Of Sleep,” one of the better tracks from Especially For You. The only time they slowed down over the next 90 minutes was for the somber ballad “Cigarette.” They also performed songs from Green Thoughts, Blow Up, and 11, all of which were well known to the audience judging by the applause and shouts of approval. “House We Used To Live In” featured some dynamic vocal give and take from lead singer-guitarist Pat DiNizio, guitarist Jim Babjak, and bassist Severo Jornacion and segued into the instrumental “Sparks,” from The Smithereens' recently released CD version of The Who’s Tommy. They also played “Acid Queen” and “I’m Free.” Jornacion, who replaced original bassist Mike Mesaros and is dubbed The Thrilla From Manila by DiNizio, propelled the band through the cult classic “Blood And Roses.”

DiNizio was in high spirits, recalling how he lived in the Wrigleyville area for a few years, and asking people to move closer to the stage. Babjak, a nice guy as well as a first rate guitarist, reached into the audience on a few occasions to personally hand someone a guitar pick. The Smithereens finished their show by leading a sing-along of The Who’s “Behind Blue Eyes” and afterwards, signed autographs and chatted with fans at the side of the stage.

Brehmer’s Bash: A Day In The Park

(photo from WXRT website)

Lin Brehmer, the morning DJ on Chicago's progressive rock station WXRT, has always assured his listeners that he’s their best friend in the whole world. On Friday, August 21st, he invited them to drop by the Arlington Park Racetrack to celebrate his birthday with a free live broadcast featuring musical guests.

For years, Brehmer has offered a refreshing alternative to the usual obnoxious mayhem served up by rock ‘n’ roll morning drive-time types. Whether he’s lamenting the Cubs’ frustrating season, relating how he mispronounced Bono’s name in an early interview with the U2 frontman, or recalling the time he brought Australian garage rock band The Hoodoo Gurus back to his house at 3AM much to his wife’s dismay, Brehmer exudes a one-of-the-guys persona.

The fans who showed up at Arlington Park greeted the DJ with hugs and handshakes. Most brought cans of food to donate to the Greater Chicago Food Depository, as he had requested. Once the live broadcast began, news anchor Mary Dixon introduced a series of recorded tributes that were supposed to be about Brehmer, but actually honored Bono, President Obama, or ex-president Bill Clinton. People who, Dixon teasingly pointed out, had actually done something with their lives. Kristin Kay, who joins Brehmer and Dixon each Wednesday for the Corporate Takeover, a promotion that involves bringing snacks to companies around Chicago, was also on hand.

Singer-guitarist Alice Peacock, joined by guitarist Danny Myrick, charmed the audience with an acoustic version of “City Of Angels.” The melodic song, in which she describes missing Chicago while working within the frantic environment of Los Angeles, is from her latest CD, Love Remains. Jon Langford, a world renowned musician as well as one of the hosts of WXRT’s weekly program The Eclectic Company, performed a trio of songs with his band, Skull Orchard. The biting, socially relevant lyrics and guitar-driven arrangements evoked the vintage U.K punk of one of Langford’s other bands, The Mekons. Afterward, he told me the three songs will be on a soon to be released CD.

Throughout the three hour broadcast - - which included recorded birthday greetings from media personalities -- Brehmer, Dixon, and Kay mingled with members of the audience, creating a casual, summer party ambience. Fittingly, the Brehmer Bash ended with the surprise appearance of an Arlington Park donated birthday cake big enough for everyone in attendance, and a spirited rendition of “Happy Birthday.”

CD Review: Crosby, Stills & Nash - Demos

As Crosby, Stills & Nash celebrate their 40th anniversary, Rhino Records gives us Demos, an archive of tapes recorded by the trio in preparation for joint and solo efforts from 1969 through the early 1970s. Most of the tracks present Crosby, Stills, or Nash performing alone on acoustic guitar, and the bare bones arrangements are in stark contrast to the way we’re used to hearing this music. But the strong melodies and those famous voices come through loud and clear, particularly when Stephen Stills blasts his way through “Love The One You’re With.” Graham Nash performs his politically charged “Chicago” on piano, and David Crosby weaves his way through the paranormal imagery of “Deja Vu” on acoustic guitar.

Demos also includes various combinations of these musicians, like on a spirited version of “Marrakesh Express” that has Nash singing lead and playing acoustic guitar, Crosby adding the harmony, and Stills playing bass. “Long Time Gone” features a bluesy vocal style from Crosby while some terse bass and drum playing by Stills emphasize the song’s counter culture message. The utopian “Music Is Love” is the only track that includes Neil Young, as he sings and strums guitar along with Crosby and Nash. Demos provides a fascinating behind the scenes look at how one of rock’s most influential groups created some of its best material.

Hollus Brings Classic Rock To Martyrs' Club

Art taken from the Hollus Facebook Page

Hollus has a 9PM Roots Rock Evening show at Martyrs’ on Chicago’s north side this Friday, August 21st. The club is located at 3855 N. Lincoln Avenue, (773) 404-9494. As you might guess from the cool retro poster being used to promote the gig, this band is deeply into classic rock.

After I likened Hollus to early Rod Stewart in a preview of this year’s International Pop Overthrow that I wrote for the Illinois Entertainer, the band’s blog insisted that a more precise comparison would have been Stewart’s 1970s band, The Faces. Fair enough. Hollus rocked The Abbey club at their IPO appearance, winning over an audience that had come to hear power pop music. Lead vocalist Jamison Acker and lead guitarist Michael Lux-Sauer are an impressive one-two punch and the rest of the band provides solid support.

The group’s latest CD, Joker and the Queen has plenty of good material, which you can see Hollus performing live on videos at myspace.com/hollusmusic The clever Live On The Latest Show Ever clip for “Hold On” is particularly good. Hollus will also be at the Harvest Jam in Chicago on September 19th.

Abbie Fest Aftermath

Photo by Gavin Robinson, taken from Mary-Arrchie Facebook Photo Album

Mary-Arrchie Theatre presented Abbie Hoffman Died For Our Sins XXI over the past weekend, and this annual festival showed no signs of losing steam. Having only seen a fraction of the performances this year, it’s hard to make a fully informed assessment, but the opening ceremonies on Friday literally set the stage for what was to follow. Audience members clapped, stamped their feet, and whooped it up in anticipation of Artistic Directory Richard Cotovsky’s arrival in the persona of Abbie Hoffman. His political ranting, flavored with a touch of stand-up comedy and delivered from a makeshift soapbox, was highly entertaining.

Team Venture Productions had the difficult task of following this mayhem. Just Us Two, their gentle sci-fi comedy about two socially awkward virgins being whisked off to populate another planet, won over the audience with appealing performances from its cast.

The Plagiarists have a well-deserved reputation at the fest for intellectually stimulating comedy, and their new parody American Stage Sessions was both clever and laugh out loud funny. This is a group that bears watching closely, as they engage in several sight gags.

Bruised Orange’s show I Saw You fell somewhere between improv and sketch comedy as the group drew inspiration from the classified section of The Chicago Reader. It wasn’t clear if these were actual or fictional ads, or if the cast members had seen the ads before bringing them to life, but the results were very funny.

The cast of Red Ink Theatre showed their singing and dancing chops as they reeled off a series of provocative songs and sketches about our current president’s effect on the country in their revue Obama Nation. Their material brought laughs at the expense of liberals as well as conservatives.

Mary-Arrchie Theatre performs Gas Mask 101, a politically-charged comedy set at Southern Illinois University during the Viet Nam War, every year, and this goofy and touching play is a welcome Abbie Fest tradition.

On the Fest’s second day, my old comedy group Famous In The Future surprised me by going back to basics with its all new revue Loose Animals rather than performing the more elaborate song and dance routines of recent years. Much of the material was driven by current events, featuring sketches about animal rights and the slow economy. As an FIF cast member for several years, I can’t give an unbiased critique, so I’ll simply say I enjoyed the show.

Black Forest’s performance of their original piece The Drugs, which was inspired by David Bowie’s Low album, found James Moeller dressed in a long black coat and Carla Hayden decked out in a white pants suit. The imaginative and funny show included Moeller’s guitar playing and a blast of Led Zeppelin’s “Kashmir” on the sound system.

The Mary-Arrchie's crew of actors and actresses, more accustomed to performing onstage than selling tickets, did a super job of keeping things running smoothly. Pictures and more information on this year’s Abbie Hoffman Died For Our Sins can be found on the Mary-Arrchie Theatre’s website (www.maryarrchie.com). Also check out the blog http://jimmydumpssunnyjimmy.blogspot.com/